An Art Deco building generally constructed between the 1920s and the 1940s.
A small restaurant near the sea
Located at Rua Marques de Pombal by the Praça Alliança, in the town of Alvor on the seaside of Portugal’s western Algarve, this blue and white two-storey building is a modest, but delightful Art Deco building. It features a parapet with a central massing, and two balconies with triangle motifs.
The central massing in white and blue
A well proportioned building
The St John New Zealand Southern Region Headquarters can be found at 17 York Place in central Dunedin. The façade contains a number of shallow reliefs with floral components, notably on either side of the entrance. Constructed in 1938, it is another fine example of Art Deco architecture in New Zealand. The building is registered by the New Zealand Historic Places Trust as a Category I structure, and was listed in 1990. Dunedin is the second largest city in New Zealand’s South Island.
A detail of the entrance
Thanks to Robert Piggott for providing the photos used here.
A carefully balanced exterior
A rather jazzy central Lisbon apartment block from the diagonals on the main entrance to the angular features of the façade. These include the angled bay windows up the centre of the building and the small, angled balconies accompanying them, along with the white horizontal bars running across the exterior.
Chevrons merging into diamond forms
An angled façade viewed from an angle
A petit but pleasing bungalow
This small but enchanting Brazilian house is in the heart of Rio de Janeiro. Faced in a grey stone, it features a modest parapet rising from the vertical bands of stone. There are Art Deco motifs carved into the surface of the three central bands that begin at the window lintel. An original metal sunburst screen protects the window.
Sunburst window screen
Horizontal bands are the main decorative feature
The Royal Exchange Hotel in Sydney be found in the city’s Marrickville district, a suburb in the inner west of Sydney. Located on a corner lot, it features period lettering around the top spelling out the name, and a parapet with horizontal and vertical decorative bands.
The parapet on the corner
This row of nicely repainted one storey buildings was originally designed as a unity for what was probably residential purposes. Located on a busy, main road in Guia, a small town not far inland from the coast of Portugal’s Algarve, they form a part of the region’s Art Deco heritage today. There is a felicitous balance of vertical and horizontal elements.
This long, horizontal edifice is the former New Zealand Railways Road Services Building in the South Island city of Dunedin. It was the city’s main bus station and garage for many decades. Located at 35 Queens Gardens, it was designed by James Hodge White and Eric Miller and constructed in 1939. The building now serves the Dunedin Otago Settlers Museum.
Art Deco features include irregular pleating above the ‘Exit’ and ‘Entrance’ found near the façade ends. It also has smooth, hemispherical curves at the ends. The upper part of the centre of the building has vertical bands topped off by crenellations. The building was registered under New Zealand’s Historic Places Act in 1980. Thanks to Robert Piggott for providing the photographs.
The 1937 Hotel Waterloo was designed by the Wellington firm of Atkins and Mitchell and was constructed for New Zealand Breweries company who wanted a luxurious, modern look. The location at 28 Waterloo Quay was close to the Wellington train station and to the ferry terminal, a strategic placing for travellers who would appreciate its fine bars. After fifty odd years of service it shut its doors in the late 1980s for a few years, only to be reborn as a backpackers’ hostel. The bands of decorative motifs consisting of chevron forms and semi-circles are still distinctive. Thanks again to Taika Kyriak for providing these photos.
Originally constructed as headquarters on Charles Street for the Leicester Temperance Building Society, 1955-59, it was later taken over by the Alliance & Leicester Building Society. Now known as Halford House, it is in part occupied by Pick Everard Keay and Gimson, the architects who first conceived it. The building is a fascinating fusion of new norms of modernism with existing Art Deco forms, notably the central clock tower flanked by two wings, and the use of a bay window. Certainly the most striking feature is the decorative clock found top centre of the main façade. This depicts the Four Winds Blowing, and was designed by local artist and educator Albert Pountney (1915-1982).
While the Condes Cinema opened in 1951 buildings at this location of Praça dos Restauradores at Rua Condes already had a long history as theatres. First opening as the Teatro da Rua dos Condes in 1738, the theatre began its life as an opera house. It was constructed on land on land owned by the Conde da Ericeira (Count of Ericeira) by what is now known as the Rua Condes. This was a part of the city popular with the nobility, and several aristocrats had their palaces there. The theatre had to be rebuilt in 1755 after being badly damaged by the terrible Lisbon earthquake earlier that year.
A new theatre, the Teatro Novo da Rua dos Condes, was constructed in 1888 on the same location, and ten years later it remodelled inside to increase seating capacity. Then the twentieth century and its technological marvels arrived and by 1915 theatre had been converted into a cinema. This survived for decades until 1951 when it was torn apart to make way for a purpose-built cinema, the building we see today. The architect Raul Tojal began with the shell of the previous theatre and the new cinema was able to project 70mm films. The new Condes Cinema almost survived until the twenty-first century, closing in 1997. It was converted into the Hard Rock Café, Lisbon, in 2003.
Global Art Deco 